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Freedom rider group of civil rights activists that rode together on buses to make an impact on history

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Freedom Riders were civil rights activists who rode interstate buses into the segregated southern United States, in 1961 and subsequent years, in order to challenge the non-enforcement of the United States Supreme Court decisions Morgan v. Virginia (1946) and Boynton v. Virginia (1960),[3] which ruled that segregated public buses were unconstitutional.[4] The Southern states had ignored the rulings and the federal government did nothing to enforce them. The first Freedom Ride left Washington, D.C., on May 4, 1961,[5] and was scheduled to arrive in New Orleans on May 17.[6]

Prince hall he founded Prince hall Freemasonary and educational right for African American children

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Prince Hall c. 1735/8 – December 7, 1807 was an American abolitionist and leader in the free black community in Boston. He founded Prince Hall Freemasonry and lobbied for education rights for African American children. He was also active in the back-to-Africa movement

Thomas Blind Tom Wiggins he wrote and played piano in multiple places became successful at it

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Thomas "Blind Tom" Wiggins (May 25, 1849 – June 14, 1908) was an American pianist and composer. He had numerous original compositions published and had a lengthy and largely successful performing career throughout the United States. During the 19th century, Wiggins was one of the best-known American performing pianists and one of the best-known Black musicians.

Macon Bolling Allen is the first to be a lawyer and to become a certified judge ruling over multiple cases

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Macon Bolling Allen (born Allen Macon Bolling;[1] August 4, 1816 – June 11, 1894) is believed to be both the first African American licensed to practice law and to hold a judicial position in the United States. Allen passed the bar exam in Maine in 1844 and became a Massachusetts Justice of the Peace in 1848. He moved to South Carolina after the American Civil War to practice law and was elected as a probate court judge in 1874. Following the Reconstruction Era, he moved to Washington, D.C., where he worked as an attorney for the Land and Improvement Association.

Yasuke the first black samurai in history that has been documented this history needs to be in schools

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Yasuke (variously rendered as 弥助 or 弥介, 彌助 or 彌介 in different sources.[1]) (b. c. 1555–1590) was a black Samurai of African origin who served under the Japanese hegemon and warlord Oda Nobunaga in 1581 and 1582. Early life A Nanban group traveling in Japan According to Histoire Ecclesiastique Des Isles Et Royaumes Du Japon, written by François Solier of the Society of Jesus in 1627, Yasuke was likely from Portuguese Mozambique.[2] Solier's account may, however, have been an assumption as it was written so long after the event and there is no surviving contemporary account that corroborates it. A 2013 investigation by the light entertainment television program Discovery of the World's Mysteries (世界ふしぎ発見) suggested that Yasuke was a Makua named Yasufe.[3] This name seems to be derived from the more popular Mozambican name, Issufo.[4] This was not a highly journalistic in...

Black caesar was legendary pirate that took over ships for over a decade in Florida and became a captain creating history

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Black Caesar (died 1718) was an 18th-century African pirate. For nearly a decade, he raided shipping from the Florida Keys and later served as one of Captain Blackbeard's, a.k.a. Edward Teach's, crewmen aboard the Queen Anne's Revenge. He was one of the surviving members of Blackbeard's crew following his death at the hands of Lieutenant Robert Maynard in 1718. Caesar's Rock, one of three islands located north of Key Largo, is named in his honor,[1] and is the present-day site of his original headquarters. Biography according to legend Black Caesar, according to traditional accounts, was a prominent African tribal war chieftain. Widely known for his "huge size, immense strength, and keen intelligence", he evaded capture from many different slave traders. Caesar was finally captured when he and twenty of his warriors were lured onto a ship by a slave trader. Showing him a watch, the trader promised to show him and his warriors more objects which were ...

The muse brothers the first black albino brothers proforming in a circus that they were sold to as children

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The tale of George and Willie Muse, albino brothers living in the rural South during the late 1800s, is stirring. According to accounts, the brothers were kidnapped as boys, sold off to a local carnival sideshow and paraded around the country. The Muse brothers were a rarity: Black albinos would be a lucrative attraction for a carnival with a so-called “human oddities” segment. According to a report by The Roanoke Times, the brothers were tricked by a bounty hunter working for a sideshow promoter and taken away from their mother. The man told the brothers that their mother was dead. In the circus, the dreadlocked brothers were first said to hail from “a colony of sheep-headed people.” The brothers learned to play guitar and mandolin, which became a feature of their act. Showman Al G. Barnes then promoted them as White Ecuadorian cannibals. The Muse brothers traveled with Barnes all across the country and into Canada. Amazingly, they were never paid for their wo...

Delloreese Patricia she became an actress at young age and dominated it movie's and TV shows

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Della Reese born Delloreese Patricia Early; July 6, 1931 – November 19, 2017 was an American singer, actress, television personality, author and ordained minister. As a singer, she recorded blues, gospel, jazz and pop. Several of her singles made the US Hot 100, including the number two charting song, "Don't You Know?" 1959. As a television personality and actress, she was the first black woman to host her own talk show and appeared on the highly-rated CBS television series Touched by an Angel. Della appeared on The secret path as Honey

Antoine Dominique Domino Jr became successful writer and preformer in music dominating on the piano

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Antoine Caliste Domino Jr. February 26, 1928 – October 24, 2017, known as Fats Domino, was an American singer-songwriter and pianist. One of the pioneers of rock and roll music, Domino sold more than 65 million records. Born in New Orleans to a French Creole family, Domino signed to Imperial Records in 1949. His first single "The Fat Man" is cited by some historians as the first rock and roll single and the first to sell more than 1 million copies. Domino continued to work with the song's co-writer Dave Bartholomew, contributing his distinctive rolling piano style to Lloyd Price's "Lawdy Miss Clawdy" 1952 and scoring a string of mainstream hits beginning with "Ain't That a Shame" 1955. Between 1955 and 1960, he had eleven Top 10 US pop hits. By 1955, five of his records had sold more than a million copies, being certified gold

SGT LADAVID JOHNSON was honored with the silver star by the us army that the family received

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SGT LaDavid T. Johnson paid the ultimate sacrifice while serving the United States Army as a Wheeled Vehicle Mechanic with the 3d Special Forces Group, Fort Bragg, NC with duty in Niger. SGT Johnson was posthumously awarded a Silver Star for actions near Tonga Tongo, Niger in early October 2017. The joint United States - Nigerian team came under enemy fire, dismounted their vehicles in order to counter the attack, but quickly realized that they were greatly outnumbered and were forced to break contact. During the fallback, SGT Johnson was among other soldiers to assume a second fighting position and again engage the enemy. Forced to break contact again, he and two Nigerien soldiers attempted to push back toward their vehicles but were forced to flee on foot due to the heavy enemy fire. The militants closed in and killed the two Nigerien soldiers within about 600 meters. SGT Johnson made it nearly a kilometer and took cover behind thick brush, continuing to fight under suppressive e...

STEVIE WILLIAMS became a skateboarding legend by dominating the competition all over the world

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Stevie Williams (born December 17, 1979 is a professional skateboarder who was included in the twenty-seventh position of the "30 Most Influential Skaters of All Time" list that was compiled by Transworld Skateboarding in late 2011.

COMER JOSEPH COTTRELL JR was an inventor he's the reason why ladies get to curl their hair every day

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Comer Joseph Cottrell Jr.(December 7, 1931 - October 3, 2014) was an American entrepreneur most notable for founding Pro-Line Corp., a business that created the Curly Kit, which brought the Jheri curlhairstyle to the masses and made it easy to achieve at home. Personal lifeEdit He was born in Mobile, Alabama and died in Plano, Texas at age 82. He briefly attended the University of Detroitand served in the Air Force during theKorean War. VenturesEdit He founded Pro-Line Corp. in 1970.[1] It was originally based in Los Angeles. In 1979, he created the Curly Kit and in 1980, he moved the company toDallas.[2] Forbes Magazine called the Curly Kit "the biggest single product ever to hit the black cosmetics market." In 2000, he sold the company to Alberto-Culver for $75 million to $80 million.[3]With his brother, James, he turned Pro-Line into one of the most successful black-owned companies in the United States. In 1990, he purchased the campus ofBishop College and moved Paul ...

Frederick Douglass Patterson was the true car inventor that paved the way so people can drive around from state to state

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Frederick Douglas Patterson was the first African American to build motorized cars. His father, Charles Rich Patterson, a former enslaved person, created C. R. Patterson and Sons Company, located in Greenfield, Ohio. Beginning in 1865, the company built fashionable carriages. Frederick Patterson inherited the company upon the death of his father and began building motorized vehicles. The first Patterson automobile, the Patterson-Greenfield, rolled off the line on September 23, 1915. Unfortunately, Henry Ford debuted the Model T on October 1, 1908 and by that point had captured most of the American car-buying market.

KIMBO SLICE one of the baddest fighters in sports especially in underground before he got famous knocking out opponents

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Kevin Ferguson February 8, 1974 – June 6, 2016, better known as Kimbo Slice, was a Bahamian-born American mixed martial artist, professional boxer, and actor. Originally a bare-knuckle boxer, he became noted for his role in mutual combat street fight videos which were spread online, leading Rolling Stone to call him "The King of the Web Brawlers

CT Fletcher built a successful workout gym for the toughest men and women that loves to challenge each other

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C. T. Ali Fletcher born June 8, 1959 is an American vlogger, media personality, actor, personal trainer, and former powerlifter and bodybuilder. He is a three-time World Bench Press Champion and three-time World Strict Curl Champion.

BARACK OBAMA first black president of the United States that went two terms before walking away

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Barack Hussein Obama II[a] (born August 4, 1961) is an American politician and lawyer who served as the 44th president of the United States from 2009 to 2017. A member of the Democratic Party, he was the first African-American president in U.S. history. Obama previously served as a U.S. senator representing Illinois from 2005 to 2008 and as an Illinois state senator from 1997 to 2004.

Muhammad Ali a true boxer right here that threw down in ring created a legacy that's still going today

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Muhammad Ali (/ɑːˈliː/;[2] born Cassius Marcellus Clay, Jr., January 17, 1942 – June 3, 2016[3]) was an Americanprofessional boxer, generally considered one of the greatestheavyweights in the history of the sport. Early in his career, Ali was known for being a controversial and polarizing figure both inside and outside the boxing ring.[4][5] He was one of the most recognized sports figures of the past 100 years, crowned "Sportsman of the Century" by Sports Illustrated and "Sports Personality of the Century" by the BBC.[6][7] He also wrote several best-selling books about his career, includingThe Greatest: My Own Story and The Soul of a Butterfly. Ali, originally known as Cassius Clay, began training at 12 years old and at the age of 22 won the world heavyweight championship in 1964 from Sonny Liston in a stunning upset. Shortly after that bout, Ali joined the Nation ...

VICTOR Moore he became a certified karate legend by dominating in the competition winning championships

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Victor Moore (born August 23, 1943) holds a 10th Degree Black Belt in Karate and was one of the late Robert Trias' Chief instructors of the Shuri-ryū Karate system. Moore was one of the first ten original members of the Trias International Society and also studied and trained with William J. Dometrich in the style of Chito-ryu.Moore has studied martial arts for over 50 years, and is a four-time world karate champion.

Katherine Dunham Katherine Mary Dunham (June 22, 1909 – May 21, 2006) was an Americandancer, choreographer, author, educator, and social activist. Dunham had one of the most successful dance careers in American and European theater of the 20th century, and directed her own dance company for many years. She has been called the "matriarch and queen mother of black dance".[1] While a student at the University of Chicago, Dunham took leave and went to the Caribbean to study dance and ethnography. She later returned to graduate and submitted a master's thesis in anthropology. She did not complete the other requirements for the degree, however, and realized that her professional calling was performance. At the height of her career in the 1940s and 1950s, Dunham was renowned throughout Europe and Latin America and was widely popular in the United States, where the Washington Postcalled her "dancer Katherine the Great". For almost 30 years she maintained theKatherine Dunham Dance Company, the only self-supported American black dance troupe at that time, and over her long career she choreographed more than ninety individual dances.[2]Dunham was an innovator in African-American modern dance as well as a leader in the field of dance anthropology, or ethnochoreology. Early yearsEdit Katherine Mary Dunham was born in June 1909 in a Chicago hospital and taken as an infant to her parents' home in Glen Ellyn, Illinois, a village about 25 miles west of Chicago. Her father, Albert Millard Dunham, was a descendant of slaves from West Africa andMadagascar. Her mother, Fanny June Dunham (née Taylor), who was of mixedFrench-Canadian and Native American heritage, died when Dunham was three years old. After her father's remarriage a few years later, the family moved to a predominantly white neighborhood in Joliet, Illinois, where her father ran a dry cleaning business.[3] Dunham became interested in both writing and dance at a young age. In high school she joined the Terpsichorean Club and began to learn a kind of modern dance based on ideas of Jaques-Dalcroze and Rudolf von Laban. At the age of 15, she organized the Blue Moon Café, a fund-raising cabaret for Brown's Methodist Church in Joliet, where she gave her first public performance. While still a high-school student, she opened a private dance school for young black children. Academic anthropologistEdit After completing her studies at Joliet Junior College, Dunham moved to Chicago to join her brother Albert, who was attending the University of Chicagoas a student of philosophy. In a lecture by Robert Redfield, a professor of anthropology, she learned that much of black culture in modern America had begun in Africa. She consequently decided to major in anthropology and to focus on dances of the African diaspora. Besides Redfield, she studied under anthropologists such as A.R. Radcliffe-Brown, Edward Sapir, andBronisław Malinowski. Under their tutelage, she showed great promise in her ethnographic studies of dance.[4] In 1935, Dunham was awarded travel fellowships from the Julius Rosenwald and Guggenheim foundations to conduct ethnographic study of the dance forms of the Caribbean, especially as manifested in the Vodunof Haiti, a path also followed by fellow anthropology student Zora Neale Hurston. She also received a grant to work with Professor Melville Herskovitsof Northwestern University, whose ideas of African retention would serve as a platform for her research in the Caribbean. Her field work in the Caribbean began inJamaica, where she went to live several months in the remote Maroon village ofAccompong, deep in the mountains ofCockpit Country. (She later wrote a book, Journey to Accompong, describing her experiences there.) Then she traveled on to Martinique and toTrinidad and Tobago for short stays, primarily to do an investigation ofShango, the African god who remained an important presence in West Indian heritage. Early in 1936 she arrived at last in Haiti, where she remained for several months, the first of her many extended stays in that country throughout the rest of her life. While in Haiti, Dunham investigatedVodun rituals and made extensive notes on her research, particularly on the dance movements of the participants. Years later, after extensive studies and initiations, she became a mambo in the Vodun religion. She also became friends with, among others, Dumarsais Estimé, then a high-level politician, who became president of Haiti in 1949. Somewhat later, she assisted him, at considerable risk to her life, when he was persecuted for his progressive policies and sent in exile to Jamaica after a coup d'état. Dunham returned to Chicago in the late spring of 1936 and in August was awarded a bachelor's degree, a Ph.B., bachelor of philosophy, with her principal area of study named as social anthropology. In 1938, using materials collected during her research tour of the Caribbean, Dunham submitted a thesis, "The Dances of Haiti: A Study of Their Material Aspect, Organization, Form, and Function," to the Department of Anthropology at the University of Chicago in partial fulfillment of the requirements for a master's degree, but she never completed her course work or took examinations to qualify for the degree. Devoted to dance performance as well as to anthropological research, she realized that she had to choose between the two. Although she was offered another grant from the Rockefeller Foundation to pursue her academic studies, she chose dance, gave up her graduate studies, and departed for Broadway andHollywood.[3] Dancer and choreographerEdit Katherine Dunham in 1940, by Carl Van Vechten In 1928, while still an undergraduate, Dunham began to study ballet with Ludmilla Speranzeva, a Russian dancer who had settled in Chicago, having come to the United States with the Franco-Russian vaudeville troupe Le Théâtre de la Chauve-Souris directed by impresario Nikita Balieff. She also studied ballet with Mark Turbyfill andRuth Page, who became prima ballerina of the Chicago Opera. Through her ballet teachers, she was also exposed to Spanish, East Indian, Javanese, and Balinese dance forms. In 1931, when she was only 21, Dunham formed a group called Ballets Nègres, one of the first black ballet companies in the United States. After a single, well-received performance in 1931, the group was disbanded. Encouraged by Speranzeva to focus on modern dance instead of ballet, Dunham opened her first real dance school in 1933 called the Negro Dance Group. It was a venue for Dunham to teach young black dancers about their African heritage. In 1934–36 Dunham performed as a guest artist with the ballet company of the Chicago Opera. Ruth Page had written a scenario and choreographedLa Guiablesse ("The Devil Woman"), based on a Martinican folk tale inLafcadio Hearn's Two Years in the French West Indies. It opened in Chicago in 1933, with a black cast and with Page dancing the title role. The next year it was repeated with Katherine Dunham in the lead and with students from Dunham's Negro Dance Group in the ensemble. Her dance career was then interrupted by her anthropological research in the Caribbean. Having completed her undergraduate work at the University of Chicago and having made the decision to pursue a career as a dancer and choreographer rather than as an academic, Dunham revived her dance ensemble and in 1937 journeyed with them to New York to take part in "A Negro Dance Evening" organized by Edna Guy at the 92nd Street YMHA. The troupe performed a suite of West Indian dances in the first half of the program and a ballet entitledTropic Death, with Talley Beatty, in the second half. Upon returning to Chicago, the company performed at the Goodman Theater and at the Abraham Lincoln Center. Dunham's well-known works Rara Tonga and Woman with a Cigar were created at this time. With choreography characterized by exotic sexuality, both became signature works in the Dunham repertory. After successful performances of her company, Dunham was named dance director of the Chicago Negro Theater Unit of the Federal Theater Project. In this post, she choreographed the Chicago production of Run Li'l Chil'lun, performed at the Goodman Theater, and produced several other works of choreography including The Emperor Jones and Barrelhouse. At this time Dunham first became associated with designer John Pratt, whom she later married. Together, they produced the first version of her dance composition L'Ag'Ya, which premiered on January 27, 1938, as a part of the Federal Theater Project in Chicago. Based on her research in Martinique, this three-part performance integrated elements of a Martinique fighting dance into American ballet. In 1939, Dunham's company gave further performances in Chicago and Cincinnati and then went back to New York, where Dunham had been invited to stage a new number for the popular, long-running musical revue Pins and Needles 1940, produced by theInternational Ladies' Garment Workers Union. As this show continued its run at the Windsor Theater, Dunham booked her own company in the theater for a Sunday performance. This concert, billed as Tropics and Le Hot Jazz, included not only her favorite partners Archie Savage and Talley Beatty but her principal Haitian drummer, Papa Augustin. Initially scheduled for a single performance, the show was so popular that the troupe repeated it for another ten Sundays. This success led to the entire company being engaged in the Broadway production Cabin in the Sky, staged byGeorge Balanchine and starring Ethel Waters. With Dunham in the sultry role of temptress Georgia Brown, the show ran for 20 weeks in New York before moving to the West Coast for an extended run of performances there. The show created a minor controversy in the press. After the national tour of Cabin in the Sky, the Dunham company stayed in Los Angeles, where they appeared in the Warner Brothers short film Carnival of Rhythm (1941). The next year Dunham appeared in the Paramount musical filmStar Spangled Rhythm (1942) in a specialty number, "Sharp as a Tack," with Eddie "Rochester" Anderson. Other movies she appeared in during this period included the Abbott and Costellocomedy Pardon My Sarong (1942) and the famous break-through black musical Stormy Weather (1943).[5] Later that year, they returned to New York, and in September 1943, under the management of the renowned impresario Sol Hurok, her troupe opened in Tropical Review at the Martin Beck Theater. Featuring lively Latin American and Caribbean dances, plantation dances, and American social dances, the show was an immediate success. The original two-week engagement was extended by popular demand into a three-month run, after which the company embarked on an extensive tour of the United States and Canada. In Boston, the bastion of conservatism, the show was banned in 1944 after only one performance. Although it was well received by the audience, local censors feared that the revealing costumes and provocative dances might compromise public morals. After the tour, in 1945, the Dunham company appeared in the short-lived Blue Holiday at the Belasco Theater in New York and in the more successful Carib Song at the Adelphi Theatre. The finale to the first act of this show was Shango, a staged interpretation of a Vodun ritual that would become a permanent part of the company's repertory. In 1946, Dunham returned to Broadway for a revue entitled Bal Nègre, which received glowing notices from theater and dance critics. Early in 1947 Dunham choreographed the musical play Windy City, which premiered at the Great Northern Theater in Chicago, and later in the year she opened a cabaret show in Las Vegas, marking the first year that the city became a popular entertainment destination. Later that year she went with her troupe to Mexico, where their performances were so popular that they remained for more than two months. After Mexico, Dunham began touring in Europe, where she was an immediate sensation. In 1948 she opened A Caribbean Rhapsody first at the Prince of Wales Theatre in London, then swept on to the Théâtre des Champs-Élysées in Paris. This was the beginning of more than 20 years of performing almost exclusively outside America. During these years, the Dunham company appeared in some 33 countries in Europe, North Africa, South America, Australia, and East Asia. Dunham continued to develop dozens of new productions during this period, and the company met with enthusiastic audiences wherever they went. Despite these successes, the company frequently ran into periods of financial difficulties, as Dunham was required to support all of the 30 to 40 dancers and musicians. In 1948, Dunham and her company appeared in the Hollywood movieCasbah, with Tony Martin, Yvonne de Carlo, and Peter Lorre, and in the Italian film Botta e Risposta, produced by Dino de Laurentiis. Also that year they appeared in the first ever hour-long American spectacular televised by NBCwhen television was first beginning to spread across America. This was followed by television spectaculars filmed in London, Buenos Aires, Toronto, Sydney, and Mexico City. In 1950, Sol Hurok presented Katherine Dunham and Her Company in a dance revue at the Broadway Theater in New York, with a program composed of some of Dunham's best works. It closed after only 38 performances, and the company soon thereafter embarked on a tour of venues in South America, Europe, and North Africa. They had particular success in Denmark and France. In the mid-1950s, Dunham and her company appeared in three films:Mambo (1954), made in Italy; Die Grosse Starparade (1954), made in Germany; and Música en la Noche (1955), made in Mexico City. The Dunham company's international tours ended in Vienna in 1960, when it was stranded without money because of bad management by their impresario. Dunham saved the day by arranging for the company to appear in a German television special, Karibische Rhythmen, after which they returned to America. Dunham's last appearance on Broadway was in 1962 in Bamboche!, which included a few former Dunham dancers in the cast and a contingent of dancers and drummers from the Royal Troupe of Morocco. It was not a success, closing after only eight performances. A highlight of Dunham's later career was the invitation from New York'sMetropolitan Opera to stage dances for a new production of Aida starring Leontyne Price. Thus, in 1963, she became the first African-American to choreograph for the Met since Hemsley Winfield set the dances for The Emperor Jones in 1933. The critics acknowledged the historical research she did on dance in ancient Egypt but did not particularly care for the results they saw on the Met stage.[6]Subsequently, Dunham undertook various choreographic commissions at several venues in the United States and in Europe. In 1967 she officially retired after presenting a final show at the famous Apollo Theater in Harlem, New York. Even in retirement Dunham continued to choreograph: one of her major works was directing Scott Joplin's opera Treemonisha in 1972 at Morehouse College in Atlanta. In 1978 Dunham was featured in thePBS special, Divine Drumbeats: Katherine Dunham and Her People, narrated byJames Earl Jones, as part of the Dance in America series. Alvin Ailey later produced a tribute for her in 1987-88 with his American Dance Theater at Carnegie Hall entitled The Magic of Katherine Dunham

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Florence mills Florence Mills (born Florence Winfrey; January 25, 1896 – November 1, 1927),[1] known as the "Queen of Happiness", was an African-Americancabaret singer, dancer, and comedian known for her effervescent stage presence, delicate voice, and winsome, wide-eyed beauty. Life and careerEdit A daughter of formerly enslaved parents, Nellie (Simon) and John Winfrey, she was born Florence Winfrey in 1896 in Washington, D.C.. She began performing as a child, when at the age of six she sang duets with her two older sisters. They eventually formed avaudeville act, calling themselves "The Mills Sisters".[2] The act did well, appearing in theaters up and down the Atlantic seaboard. Florence's sisters eventually quit performing, but Florence stayed with it, determined to pursue a career in show business. In time, she joined Ada Smith, Cora Green, and Carolyn Williams in a group called the "Panama Four," with which she had some success. She then joined a traveling black show known as the Tennessee Ten, where in 1917 she met dance director and acrobatic dancerUlysses "Slow Kid" Thompson (1888–1990), to whom she would be married from 1921 until her death.[3] whom she met in 1917 as the dancing conductor of a black jazz band known as the Tennessee Ten.[4][5] Mills became well known in New York as a result of her role in the successful Broadway musical Shuffle Along (1921) at Daly's 63rd Street Theatre (barely onBroadway), one of the events credited with beginning the Harlem Renaissance, as well as acclaimed reviews in London,Paris, Ostend, Liverpool, and otherEuropean venues. She told the press that despite her years in vaudeville, she credited Shuffle Along with launching her career.[2] After Shuffle Along Lew Leslie, a white promoter, hired Mills and Thompson to appear nightly at the Plantation Club. The revue featured Mills and a wide range of black talent including visiting performers such as Paul Robeson. In 1922, Leslie turned the nightclub acts into a Broadway show called The Plantation Revue. It opened at the Forty-eighth Street Theatre on July 22. English theatrical impresario Charles B. Cochran brought the Plantation company to London, and they appeared at the London Pavilion in spring 1923 in a show he devised called Dover Street to Dixie, with a local all-white cast in the first half and Mills starring with the all-black Plantation cast in the second half.[5][6] In 1924 she headlined at the Palace Theatre, the most prestigious booking in all of vaudeville, and became an international superstar with the hit showLew Leslie's Blackbirds (1926). Among her fans when she toured Europe was the Prince of Wales, who told the press that he had seen Blackbirds 11 times.[7] Many in the black press admired her popularity and saw her as a role model: not only was she a great entertainer but she was also able to serve as "an ambassador of good will from the blacks to the whites... a living example of the potentialities of the Negro of ability when given a chance to make good".[8] Mills was featured in national magazines, Vogue and Vanity Fair and photographed by Bassano's studios andEdward Steichen. She made a signature song from her biggest hit, "I'm a Little Blackbird Looking for a Bluebird"; another of her hit songs was "I'm Cravin' for that Kind of Love".

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Ira Aldridge skilled in writing and performing the most famous plays that was created paving the way for New generations

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Born in New York City, Aldridge's first professional acting experience was in the early 1820s with the African Grove Theatre troupe. Facing discrimination in America, he left in 1824 for England and made his debut at London's Royal Coburg Theatre. As his career grew, his performances of Shakespeare's classics eventually met with critical acclaim and he subsequently became the manager of Coventry's Coventry Theatre Royal. From 1852, Aldridge regularly toured much of Continental Europe and received top honours from several heads of state. He died suddenly while on tour in Poland and was buried with honours in Łódź. Aldridge is the only actor of African-American descent honoured with a bronze plaque at the Shakespeare Memorial Theatre in Stratford-upon-Avon. Two of Aldridge's daughters, Amanda and Luranah, became professional opera singers.

Ester Jones famous singer from Chicago that inspired the creation of Betty boop cartoon character

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Esther Lee Jones born c. 1918, date of death unknown, known by her stage names "Baby Esther", "Little Esther", and other similar variations, was an American singer and child entertainer of the late 1920s, known for interpreting popular songs with a "mixture of seriousness and childish mischief".After gaining attention in her hometown of Chicago, she became an international celebrity before leaving the public spotlight as a teenager

Larry Hoover in the streets his name is still infamous for what he created that still stands today in new generation

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Larry Hoover Sr (born November 30, 1950 is a former American gangster and street gang kingpin. He is the founder of the Chicago street gang, the Gangster Disciples.Hoover is currently serving six life sentences at the ADX Florence prison facility in Fremont County, Colorado. He was previously sentenced to life imprisonment plus 200 years for a 1973 murder. However, in 1997, following a 17-year investigation, he was convicted of conspiracy, extortion, money laundering, and running a continuing criminal enterprise from state prison, and received another life term. He has made multiple attempts to have his sentence shortened.

Larry Davis became infamous for the Bronx situation that went down that people still talk about today

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Larry Davis May 28, 1966 – February 20, 2008, later known as Adam Abdul-Hakeem, was a man from New York City who gained notoriety in November 1986 for his shootout in the South Bronx with officers of the New York City Police Department, in which six officers were shot. Davis, asserting self-defense, was acquitted of all charges aside from illegal gun possession. Davis was later convicted in April 1991 of a Bronx drug dealer's 1986 murder. In 2008, Davis died via stabbing by a fellow inmate.

Zelda wynn Valdes famous fashion designer who also created the legendary playboy bunny outfits

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Zelda Valdes was born Zelda Christian Barbour in Chambersburg, Pennsylvania, and grew up in Charlotte, North Carolina. She trained as a classical pianist at the Catholic Conservatory of Music. In the early 1920s, Valdes started to work in the tailoring shop of her uncle in White Plains, New York. Around the same time, Valdes began working as a stock girl at a high-end boutique. Eventually, she worked her way up to selling and making alterations, becoming the shop's first black sales clerk and tailor. Looking back, Valdes said "It wasn't a pleasant time, but the idea was to see what I could do."Despite the struggles she experienced in her early experiences in the alteration industry, Valdes and her sister, Chez Valdes, opened the first African American owned Manhattan boutique in 1948.

Buffalo soldiers a group of men that dominated over in multiple situations during the 1800s they're legacy should be taught in schools

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Buffalo Soldiers were United States Army regiments composed exclusively of African American soldiers, formed during the 19th century to serve on the American frontier. On September 21, 1866, the 10th Cavalry Regiment was formed at Fort Leavenworth, Kansas. The nickname "Buffalo Soldiers" was purportedly given to the regiments by the American Indian tribes who fought against them during the American Indian Wars, and the term eventually became synonymous with all of the African American regiments that were established in 1866, including the 9th Cavalry Regiment, 10th Cavalry Regiment, 24th Infantry Regiment, 25th Infantry Regiment and 38th Infantry Regiment.

Eugene Bullard he became military pilot that flew all over to helped in battles and more now is thousands of black piolets

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Eugene Jacques Bullard (born Eugene James Bullard; October 9, 1895 – October 12, 1961 was one of the first African-American military pilots,although Bullard flew for France, not the United States. Bullard was one of the few black combat pilots during World War I, along with William Robinson Clarke, a Jamaican who flew for the Royal Flying Corps, Domenico Mondelli it from Italy, and Ahmet Ali Çelikten of the Ottoman Empire. Also a boxer and a jazz musician, he was called "L'Hirondelle noire" in French literally "Black Swallow

Henry box Brown became famous for mailing himself in a box to freedom to escape the dangerous situations he was in

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nry "Box" Brown (c.1816–June 15, 1897)[1] was a 19th-century Virginiaslave who escaped to freedom at the age of 33 by arranging to have himself mailed in a wooden crate in 1849 toabolitionists in Philadelphia,Pennsylvania. For a short time Brown became a noted abolitionist speaker in the northeast United States. As a public figure and fugitive slave, Brown felt endangered by passage of the Fugitive Slave Law of 1850, which increased pressure to capture escaped slaves. He moved toEngland and lived there for 25 years, touring with an anti-slavery panorama and becoming a mesmerist and showman. Mostly forgotten in the United States,[2] he married an English woman and had a second family with her. He returned to the US with them in 1875 and continued to earn a living as an entertainer. He toured and performed as a magician, speaker, and mesmerist until at least 1889, and the last decade of his life (1886-1897) was spent in Toronto, where he died...

Ned Huddleston an infamous outlaw that became famous for what he stood on doing things his way

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Ned Huddleston (also known as Isom Dart) was born into  slavery  in  Arkansas  in 1849. His reputation as a rider, roper and bronco-buster earned him the nicknames of the “Black Fox” and the “Calico  Cowboy .”  He was also a notorious  Wyoming  Territory  outlaw . In 1861 twelve-year-old Huddleston accompanied his owner, a Confederate officer, into  Texas  during the  Civil War . After being freed at the end of the war Huddleston headed for the southern Texas- Mexico  border region where he found work at a rodeo, became a stunt rider and honed his skills as a master horseman. Huddleston straddled both sides of the law. For a time he and a young Mexican bandit named Terresa survived as rustlers stealing horses in Mexico and selling them in Texas. Huddleston later joined a cattle drive heading northwest to Brown’s Hole in the  Colorado -Wyoming area around 1871. The 6’2” Huddleston briefly found success mining go...

Bass Reeves first black us marshall who caught over four thousand people on the run he paved the way for other today

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Reeves was born into slavery in 1838 in  Crawford County ,  Arkansas . [1] [2] Reeves was named after his grandfather, Basse Washington. Bass Reeves and his family were slaves of Arkansas state legislator William Steele Reeves. [1] When Bass Reeves was eight (about 1846), William Reeves moved to  Grayson County ,  Texas , near  Sherman  in the Peters Colony. [1]  Bass Reeves may have served William Steel Reeves son, Colonel  George R. Reeves  who was a legislator in Texas until the time of his death from rabies in 1882. George Reeves was the  Speaker of the House . [3]  During the  American Civil War , Bass parted company with George Reeves, perhaps "because Bass beat up George after a dispute in a card game." [2] [3] [4]  Bass Reeves fled north into the  Indian Territory  (now  Oklahoma ) and lived with the  Cherokee ,  Seminole , and  Creek Indians  until he was freed by the thirteen...