LEGENDARY CLUB HARLEM

History

Club Harlem was founded in 1935 by Leroy "Pop" Williams on the site of a dance hall called Fitzgerald's Auditorium.[a] Williams was a medical student at University of Pennsylvania when he managed to acquire enough money to buy Fitzgerald's; he left college after becoming the owner of the nightclub.[2] Williams gave the new nightclub the name of the Manhattan neighborhood because "a lot of black people live there".[3][4] The district, known as "Kentucky Avenue and the Curb", had become the home for African Americans in the racially segregated city since the end of World War I.[5] The new nightspot joined other popular black entertainment venues in the district such as Grace's Little Belmont, the Wintergarten, and the Paradise Club.[5] Along with Harlem's Cotton Club, it was a place for the moneyed set to enjoy an evening of African-American entertainment.[6] When the club opened in 1935, there were slot machines along with a basketball court on the top floor of the building.[7] In the 1940s the club became known as Clifton's Club Harlem.[8]

Club Harlem in 1940

In July 1940, Club Harlem, Little Belmont, the Paradise Club, and the Wonder Bar were targeted in a midnight raid by police officers, accompanied by the newly elected mayor, Tom Taggart, seeking proof of illegal gambling activities.[b] The police confiscated "three truckloads of gambling paraphernalia" and arrested 32 club owners and employees, then shut down the four clubs.[10] The next day the clubs were open for business as usual.[11][12][c]

In 1947, showman Larry Steele introduced an all-black revue called Smart Affairs to Club Harlem. The elaborate show, featuring 40 to 50 acts including comedians, singers, showgirls, chorus lines, and dance numbers, was headquartered at the club through 1970, and also toured throughout the United States and abroad between the 1940s and 1960s, including venues in San Juan, Puerto Rico, Adelaide, Australia, and Toronto, Canada.[14][15] The budget for the "Smart Affairs" shows ran as high as US$35,000 per week. The shows were on a par with Broadway productions.[16] Smart Affairs productions grossed between $400,000 and $500,000 annually by the early 1960s.[14] Steele also founded the Sepia Revue and Beige Beauties chorus lines at the club.[14] Entertainer Lola Falana was discovered by Sammy Davis, Jr. while working in Club Harlem's chorus line.[17]

In 1951 Williams and his brother, Clifton Williams, brought in other partners, including Ben Alten of the Paradise Club.[4][d] By 1954, Williams and Alten owned the Club Harlem and the Paradise Club, operating both under joint ownership.[18][e] The club employed 200 people in 1964. Its busiest time was during the tourist season from mid June to Labor Day.[19] Alten described the club's most profitable time as being between 1959 and 1977. On the weekends, between 20 and 25 buses from areas in the Northeastern United States arrived, bringing guests who wanted to see the club's shows.[2]

By 1968, Williams began having difficulty booking some African-American entertainers into the venue. He wrote an open letter to baseball star Jackie Robinson, who had a regular column in the Pittsburgh Courier newspaper. The entertainers in question did not want to work at venues catering to African Americans.[20] After the death of Pop Williams in 1976, Alten's new business partner was businessman Calvin Brock.[2] Alten and Brock refurbished the club, but business was never as good as it was in the past.[2]

Description

Club Harlem was outfitted with two lounges and a main showroom seating over 900.[4] A cocktail lounge had room for 400 guests with continuous entertainment available. The club was equipped with seven bars;[2][16] the front bar alone accommodated nearly 100 people.[21] Guitarist Pat Martino recalled in his biography: "In the front room at Club Harlem you had two stages for two different groups. Willis Jackson would do forty minutes, and then Chris Columbo's band would do forty minutes. They'd split sets all night long. And in the large back room you had singers like Sammy Davis with an orchestra. That was an incredible place".[22] Weekends at Club Harlem started on Friday night with the two bands alternating sets; the music kept going until Monday morning.[2]

Shows

For more than 50 years, the Harlem was the place in Atlantic City to see the best shows, hear the best musicians and have the best time.

The Philadelphia Inquirer, July 28, 1987[3]

The club scheduled matinees, nighttime shows, late-night shows, and a 6 a.m. "breakfast show" during the summer tourist season.[3][23][24] The music played from 10 p.m. Saturday night to 6 a.m. Monday morning.[3] "Celebrities, politicians, and tourists" often arrived in the early morning hours after the clubs on the white side of town had closed, and white performers such as Frank Sinatra, Milton Berle, and Lenny Bruce would go up on stage.[3][25][26]

Top-name black musicians also dropped by "to jam and develop their skills".[24] Musician Kelly Swaggerty, who was with Tadd Dameron's band at the time, remembered a jam session with Clifford Brown, Art Farmer and Joe Gordon that began at the Paradise Club and was continued at Club Harlem as the musicians wanted to continue playing.[27][f] Long time Atlantic City disc jockey Pinky Kravitz recalled that by 3 a.m., there were up to 1,000 people in line, waiting for the breakfast show to begin. In addition to the show itself, any celebrities sitting in the audience were called up to the stage and would perform.[17][29]

Drummer Chris Columbo, who conducted the club's orchestra for 34 years,[24][30] remembered that the early morning shows were the most vibrant because the other clubs in town were closed and many of those who were appearing at them were now at Club Harlem jamming with the club's musicians.[3][25] Johnny Lynch was in charge of the house band of 14 musicians, which was integrated. The band was well regarded among musicians. It was said that if you were in the Club Harlem band for the summer, you were a fine musician. Young men who wanted to become professionals often quit their regular jobs in summer to play with the Lynch band.[2]

The leading black entertainers of the day appeared at Club Harlem, including comedians Dick Gregory, George Kirby, Moms Mabley, and Slappy White; singers Cab Calloway, Billy Daniels, Billy Eckstine, Ella Fitzgerald, Billie Holiday, Lena Horne, Sarah Vaughan, Dinah Washington, and Ethel Waters; and jazz musicians Louis Armstrong, Count Basie, Nat King Cole, Wild Bill Davis, and Duke Ellington.[24][31] Daniels first performed his signature song "That Old Black Magic" at Club Harlem in 1942.[3] Guitarist Pat Martino has stated that as a younger man he would play at Smalls Paradise in New York City for six months and then perform in the summer at the Club Harlem.[32] Racism, however, prohibited many of these performers from appearing at clubs on the south side of town, where white families lived. However, in the 1950s Frank Sinatra came from the 500 Club to Club Harlem to perform with Sammy Davis, Jr., and sang with Davis, a member of the Rat Pack, back at the 500 Club.[31] Lonnie Smith recorded a live album, Move Your Hand, at Club Harlem in 1969.[33] Even in its waning years in the 1970s, Club Harlem continued to attract contemporary black stars such as Harry Belafonte, Ray Charles, Aretha Franklin, Redd Foxx, Marvin Gaye, Leslie Uggams, and Dionne Warwick.[34]